Can you picture an Olympic hopeful waking up at the crack of dawn to spend hours hunched over a drafting table, perfecting their blueprints? Thanks to International Olympic Committee co-founder Pierre de Coubertin, the concept became a reality when the IOC began awarding medals in the categories of sports-related architecture, music, literature, painting, and sculpture at the 1912 Stockholm Games.
The first gold medal in architecture went to the Swiss team of Eugène-Edouard Monod and Alphonse Laverriére for their "Building Plan of a Modern Stadium." By 1928, the architecture competition had been divided into the subcategories of town planning and design, with the Netherlands' Jan Wils winning gold in the latter for his still-standing Olympic Stadium Amsterdam. However, the subjective process of selecting artistic champions ultimately produced some questionable results. Sometimes, finicky judges refused to award gold (or silver, or bronze) medals when the quality of submissions failed to meet their lofty standards. Other times, such as during the 1936 Berlin Games, the host country's creative teams tallied a suspiciously disproportionate share of winning hardware.
Artistic competitions remained part of the Olympics following a hiatus for World War II, with Austria's Adolf Hoch and Finland's Yrjö Lindegren claiming architecture gold in 1948. However, the writing was on the wall for these Jim Thorpes of the compass and T-square, as new IOC President Avery Brundage (who started in 1952) strongly discouraged the proliferation of professionals in the amateur realm. The creative arts were permanently relegated to the sideshow of Olympic exhibitions in 1952, and the hard-earned efforts of champion builders, singers, and writers from the first half of the 20th century were banished to obscurity when their medals were stricken from the Olympic record books.
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